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Production photos from August 26

Photo: Nienke de Groot

A man in a camouflage jacket gestures towards Ellen, who holds an acoustic guitar by the neck, a kitbag on the stage behind her.

The company singing in a tight huddle, Peggy White embracing a younger woman at the centre.

Black and white: the company seated together on the stage steps during rehearsals, shipyard scaffolding behind them.

Gideon, in a sheepskin-collared jacket, sings downstage while Meg sits behind him in low light.

Wallsend residents in 1980s coats and jumpers stand close together, singing, hands on one another's shoulders.

Sting as Jackie White, in a denim boiler suit, raises both hands mid-song against a projected sunset over the Tyne.

Jackie and Peggy White embrace, her face pressed to his shoulder.

Meg sings with one arm raised, in a tan suede jacket and skirt.

A man in a camouflage jacket dances as Ellen plays guitar beside him.

Sting as Jackie White gestures mid-speech in his denim boiler suit.

Meg holds a woman in a red tartan beret in a long embrace.

Baroness Tynedale raises both gloved hands as shipyard workers line the railings behind her.

Ellen in an oversized pinstriped blazer, lit apart from the crowd behind the shipyard railings.

Meg in a dark overcoat and red scarf, alone in a spotlight.

Jackie White, in a flat cap and pea coat, stands behind Peggy as she points into the distance.

Peggy White, arms outstretched, leads the women of Wallsend in song.

Peggy White sings mid-confrontation, Baroness Tynedale and a manager looking on.

The company face upstage towards a vast projection of a rusting hull, four figures watching from the gantry above.

Jackie and Peggy White hold each other tightly, eyes closed.

A man in a camouflage jacket holds a battered red guitar out in front of him, a kitbag at his feet.

Baroness Tynedale, in a blue check suit, addresses the yard with her hands open, suited managers behind her.

Meg stands alone in a tan suede jacket and skirt, hands clasped, against a projected ship's hull.

The Wallsend Ferryman, in a teal raincoat and tie, reaches out mid-song beside a hanging crane hook.

Black and white: Leo Warner addresses the seated company from the front of the stage.

Jackie and Peggy White hold hands mid-argument beside a cloth-covered table.

Black and white: director Leo Warner in conversation with a cast member during rehearsals.

Meg perches on a stool at the pub bar with a drink as the barmaid works behind the pumps.

Gideon points as he sings, Meg seated behind him with her face in her hands.

Peggy White sings beside a workbench, holding a hammer and a flat cap.

Peggy White sings with her arms flung wide, the ensemble behind her echoing the pose.

Peggy and Jackie White sit side by side on wooden staging, not quite looking at each other.

Peggy White holds an open letter at arm's length, singing, tears on her face.

Ellen and Meg sit facing each other on wooden chairs, mid-scene.

The full company across the stage beneath a vast projection of a ship's bow lit from behind.

A man in a long dark overcoat stands on a raised platform, one hand on a metal rail, lit against the shipyard steelwork.

The full stage lit in red, silhouetted shipyard cranes overhead, a lone figure in a long coat on a raised platform.

Production photos from December/January 25/26

Photo: Mark Senior

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